![]() ![]() ![]() Legato geysers and ululating trills spray forth from his horn's wooden bell as Parker and Drake churn rhythmically around him. The trio revs its engines from the onset of "Never Run But Go" with Brötzmann unleashing a raw-boned banshee cry on tarogato. This time out the patron dedicatee shifts from Ayler to Brötzmann's dearly departed friend Peter Kowald. Based strictly on the aural evidence provided, I'm inclined to offer up qualified agreement. Sorting through the tapes, Ehlers came up with what he considers the "motherfucker" of them all. The 2001 tour organized by Eremite impresario Michael Ehlers supplied a mouthwatering cache of material. With either Toshinori Kondo or Roy Campbell in the second horn slot, they quickly matured into a free jazz force to be reckoned with.Ī half dozen discs later the band has finally gotten around to releasing a document of their trio work. Their credo: a staunch defiance of the desiccating forces of commercialism and critical vampirism that can assail an artist?s life. ![]() Their music: lamenting the legendary saxophonist?s tailspin into spiritual decay and destitution. Peter Brötzmann originally convened the group as a channeling vessel for the spirit of Ayler. ![]() Die Like a Dog: a name and invective that acts as a slap in the face to the mores of subtlety and passivity. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |